none of that run-of-the-mill grind, but a heady cocktail, where the best psychedelic elements from 1960’s san francisco meet mississippi blues in a garage, with serious intentions. the phat bass lines and the funky and rich drumming build a house, where fiery and earthy slide will take no prisoners. the cherry on the cake comes by courtesy of honey b’s singing. think of updated memphis minnie and you’re close. she hails from finland.

“mornin” is a radical discoid track built with alien hoover pads and synthetic stabs that is both fresh and euphoric. “clean sunrise” has deep feelings for south african shores and gentle rhodes harmonies. “mannam” is a triumphant little number whilst “capasa” is a 6 min long improvised recording locked down in one take.

one of the best mid-tempo disco raritys (and we mean rare) to come out the deepfunk scene. when keb darge first played party & get on down in the early 2000s in soho it put a few noses out of joint as it was such a departure from the deepfunk driving take no prisoner sound. true to kebs scottish stubbornness and like any real dj he stuck to his guns and created a dance floor favourite. athens of the north bring bab to 12inch for the first time, not only that but its a nice wee extended cut transferred direct from the master tapes. no brainier if you got class.

a rare vinyl treat from the ever-surprising crookers, this white label 12inch features four tracks that you wont find anywhere else. full of seriously infectious melodies, and equally infectious house beats, crkrs 001 is for those that enjoy a very eclectic style of house groove. always on point with his productions but never one to take either a deadly serious or a formulaic approach, crookers four tracks on the ep have distinctly different flavours while remaining true to his subversive style. lead track innocent kicks things off with a statement beat, cutting through the quiet with minimal percussion. building a patchwork of loops and hooks, the track develops intelligently accompanied by baxters soaring vocals. thats just the beginning for crkrs 001, next track regular sunday introduces one of crookers signature minor chordal arrangements, then the return and drug dealer judgment toy playfully with unexpected vocal samples. grab one of these strictly limited edition run of 200 copies before they get snapped up.

next stop in our journey on transparent is asc, is quite impossible to describe his immense skills, to really know more you have to search for it. after 16 years of music this artist comes to our label to guide us on another level of sonic spectrum. “internal software” is one of the most charming sound design on a 4/4 scale we have ever experienced ever on the label. take your time and immerse yourself into his world. all on transparent green 12”.

leave all the preconceptions behind and engage with the sound for a moment. two spaced out sides which drag into a unreal act of travelling, through the dense basslines and visionary synths. going through both sides will take you to a well aranged after party mode, still going forward in a very solid and well expressed rhythm. this release easily flows into the entourage and becomes something memorable.

150 copies only, because we are unknown and unrespectable. music from le chocolat noir, tryphème, russell alderton, luke eargoggle, bl&#916,,,ckmoon77 and kim rapatti for your emotional sorrows, choose for now,the energy transmission , take and congregate. the breakable experience of an unconventional trip, but not so modern as that.

uk production duo alfie granger-howell and nick harriman aka dusky drop 4 of the finest remixes from their outer album campaign of last year on heavyweight white label vinyl. t. williams cult grime alias dread d alias and livity sound mainstay kowton lend their hand to 2 heavyweight remixes for the wiley collaboration sort it out sharon whilst the talents of bwana and techno don shed take to the buttons on ingrid is a hybri a legendary figure for his formative work on jon e cashs black ops label around 2002 - 2006, dread d has been bubbling back into focus over recent years through a string of strong releases on local action. on his remix, the versatile veteran gives wileys freestyle a bashy, classic london grime refix.

we present the decay debut of tijn including a killer remix from pezzner. label boss of in haus wax & self titled tijn label, both vinyl only outlets, & digital label deep edition recordings, uk-born tijn has been making house records since 2007 as martijn but more recently as tijn taking a more direct analog approach in the studio. recently he has dropped a string of releases on labels such as overall music ltd isgud records & worx topping vinyl buzz charts on decks.de and making top ten in juno vinyl sales. 2014 saw tijn start his own eponymous label, with the first vinyl-only 12- release featuring french master djebali, being played by the francophone-trio apollonia also gaining support along the from tuccillo, ryan elliot and dj w!ld. an ccomplished producer as well as dj, tijn has played alongside renowned selectors like steffi, jordan peak, sossa and dyed soundorom, playing his own particular take on house and techno.

a tribute to long forgotten beauties. these edits were made to bring a smile on your face, to take things not too seriously and to celebrate life.

repress 2017 ! uk-born producer luke standing aka blue hour has made a considerable impact since his emergence in 2013. a move from bristol to berlin precipitated a run of stellar self-released eps that immediately won him an ardent following among techno s most revered djs for a sound that offered a fresh take on classic techno and electronica, while always maintaining a supreme dancefloor functionality. among those fans was function, who included an exclusive track from standing in his berghain 07 mix and part i of its accompanying 12-inches. now standing s self-titled outlet launches a new remix series, calling on some of those aforementioned fans to offer their own takes on a trio of the standout tracks from his label s first five releases. ostgut resident answer code request applies the driving hybrid techno-bass approach that has made him one of berghain s brightest stars to blue hour 002 title cut axis motive, paris-based tresor resident marcelus offers an ethereal take that focuses on blue hour 003 s reference 97 s more hypnotic elements, and ostgut ton s steffi is perfectly matched to the third ep s moments, employing her signature sound that similarly offers a timeless anthemic quality to the original...

sit in the creek, cool yourself, then move. sounds to speed across the noite skies or sink into the soil. take the outer path to the inside and hop on the next flight to phobiza.

already support by paul johnson, matthias zimmermann, hardrock striker, korgbrain …
returning to his machines for the second ep on his own imprint godot lab. records, arminj decided to go on a journey, to take what’s coming from abroad. the foreign inspiration ep is built as following: the face a for africa and the face b for brazil which might give an idea in term of the record’s artistic direction and sonorities. for a launch forecasted in winter, this could be considered as a sunny break during a rainy and cold afternoon of january. groovin latin bass and tribal percussions will give you the want to head directly to the closest shiny place and to enjoy your time there while we keep mr godot risin’.

originally founded by kisk back in 2009 apparel music set out to offer something truly singular in focusing their musical output predominately on jazz whilst venturing into its integration across the landscape of electronic music at the time.with a zealous release schedule, they racked up a healthy collection of eps between 2010-2015 from artists such as delano smith, scsi-9, sarp yilmaz and the label owner himself amongst many others. now after a year-long hiatus, the label makes a return with a slick 4-track va that fans both old and new will relish. strictly limited to a pressing of 200 on 180 grams of wax, their re-launch brings with it a jazz-suffused 4-track record featuring voyeur, ivano tetelepta & eugeÌne latumeten, kisk and kerem akdag. voyeurs swinging for theo kicks things off with organic, brushed drums and a walking bass line set off to a tight, swaying rhythm. glassy rhodes keys bleed into the mix ahead of piano stabs and 909 hats that propel progress when combined with a thickened low-end. ivano tetelepta & eugeine latumeten follow up with je suis reconnaissant a bass-heavy groove that lays soulful vocal samples over filtered piano chords and loose-limbed hat patterns. kisks just u then drives a crackly drum loop through distant, flexing synth tones. arresting vocal samples then take the foreground in a rich, smokey mix before istanbuls kerem akdags closes up the package. akin to the styles of producers such as henry wu and max graef, akdags friend melds playful drum patterns with thick chord stabs and smooth vocal lines that wrap up a stellar return for apparel music.

with over 25 years in the game, andré galluzzi can respectfully be awarded the veteran badge of honour. a mark of experience and longevity for an artist who has, as they say, been there and done it all. today howeversees the german take on a new adventure, with his debut release for josh winks ovum recordings. as a dj, andré has held residencies at three of germany and the worlds most influential clubs - tresor, ostgutand berghain. been the driving force behind his own we play vinyl party. managed his own taksi (along side paul brtschitsch) and aras record labels and featured his own music on such highly acclaimed imprints as cocoon, cadenza, ostgut ton and highgrade. back in 2001, having released his seminal mix compilation, ‘im garten’, andré embarked on a new series of events that regularly saw him play intoxicating sets of up to 10-hours. the parties went by the name of submerge and those infamous dj sets have inspired his beautiful brace for ovum today. the metronomic kick drum of the title track introduces us to its immersive groove, whilst bubbling and elasticated fx vie for our attention, adding a sublime swing to submerge. on the flip, bold, by name and nature, ups the swing ante with its fierce acidic melody, shimmering hats and rasping snare. support from: josh wink, pan pot, joris voorn, dj hell, huxley, doc martin, till von sein, anja schneider, &me, catz n dogz and more!

sos gunver ryberg, aïsha devi, rrose and paula temple are the four artists collaborating for decon/recon 2. the new record will be released as limited edition vinyl on noise manifesto. in this collaboration series, each artist has produced a track from all the artists sounds, yet the release credits all four artists equally on all four tracks. it is a symbolic act for reducing hierarchy, ego attachment in identity, preferring instead to shift the focus towards affinity. paula temple describes the bond in this second collaboration as every artist in this release approaches their creative energy particularly connected towards a more shamanistic mindset. when you listen to the progression of their music, it feels like the physical and mental realms we accept as reality and function within are being stripped away. maybe that is weird to say about underground dance music, but i find the journeys each of these artists take you on are very exciting in how they affect you.

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

vinyl comes in a vacuum packed transparent sleeve cycle ep is the first public transmission from w.t.r, setting the syntax for subsequent label releases to come, cycle ep comes offered as a unique handmade vacuum packaged production, praising the records functionality as well as a utility for the worlds need to dance. the eponymous title track cycle brings the listener gale force into a tunnel, packed dense with repetitive computer servers, crashing through a thrum of gated rim shots and acid splashed cartoonish sequences, don’t be disturbed by the repetitive glitch of parasites rising slowly inside your ears. the alternatively named title chain guides the listener into an immersive walloping ravy realm, satisfying the desire for the motorik rhythmic. a slick, sensual and sublime introduction into the world of reless. and no need to introduce you to shlømo, a rising darkstar in french techno scene who s take on cycle pulls apart the harsh dystopian factory sounds cultivated in the original track, exploring a more organic and hazy constitution, retaining the stern demand for the listeners attention, while exploring the original records ability to make people communicate within any space and species, at any time of the night or day...

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

resolute label returns after a short hiatus with a stellar selection of underground cuts by a fresh artist collective.to kick things off we have nightdrivers - mass prod & rufus - who bring us driving on the wheels of love , a track fuelled by house, techno, raw 808/909 drum programming and quirky edits. noha drops a highly percussive dance floor number full of swing and garage vibes as our a2 with resolution . on the flip, serialism records head honcho cesare vs disorder & tolga fidan provide a beautiful number in take 2 , with its infectious groove and beautiful strings. our b2 and vinyl only exclusive cut from jack on black - joe le groove and jib rafill - turns up the heat as a full on rolling techno gem, driven by distorted toms and crisp drums. its a sure shot dance floor winner.

london-based rumah offers his unique take on peak time techno. after contributions earlier this year to the wolfskuils 1st secret weapons and the 20 years compilation of james ruskins legendary blueprint, hes now debuting in solo on darko essers wolfskuil with his brilliant a view to the sea ep.

adam port and jimpster have had a special kind of ‘virtual’ relationship the last few years with a mutual respect for each others productions and output of their respective labels. keinemusik, which adam runs alongside rampa, &me and reznik, has grown into one of the most consistent and hottest out there right now with every release creating a big splash and bringing magic to so many dancefloors around the world. adam recently remixed jimpster’s eel pie island to devastating effect bringing his own deep, late night atmospherics to the original and creating one of 2016’s underground hits in the process. so now we’re very pleased to welcome adam port (alongside legendary uk artists stereo mc’s) for a full release on freerange in the form of changes. opening the release we have adam’s own remix which sets the tone with a subtle and gently building groove providing the perfect backdrop for the stereo mc’s esoteric vocal. this lesson in restraint shows why adam’s productions work so well on big systems, letting all the focus shine firmly on the vocal creating an intense atmosphere with not a single huge breakdown in sight! next up we have the original of changes which takes a more electro approach with a simple bassline and crisp hats and once again allowing the vocal space to take centre stage for a deep and memorable track with a message. finally we have a remix from our own jimpster opts to push in a completely different direction. shuffling up the groove and laying down a repeating rhodes riff we’re treated to an altogether more soulful and less stark version making the perfect compliment to the the package. this one makes us think of his remix of osunlade’s momma’s groove which is no bad thing we feel! enjoy!

jacy inaugurates the mysterious kalahari oyster cult with somewhere in the tapes . this audio artefact rumbles with bright and clean sounds. the influence of chicago and detroit is clear from the outset, rooted in the smooth and cerebral grooves of parallel trip . piano keys ebb and flow in the late night movements of dancing about bebu . those keys take centre stage for the house scented sounds of piano reprise . jacy comes full circle with the cruel and cold it s not hot but hit (disney rave mix) , a track of sinister synth stabs and spiralling samples. the cult s first vinyl pearl.

i try to make music that does not date. verrät der brite garry todd. seine neue maxi minds eye zeigt, was er meint. der titeltrack schaukelt sich mit vocalloop, kickender bassdrum und handclaps zum housemonster hoch. auf dream for you tanzt die stimme des sängers josh caffe magisch über pulsierenden grooves und den abschluss markiert die schnelle jack-sensation take control. auf vinyl gibt es zudem minds eye als ambient-edit dazu und digital kommt dream for you instrumental oben drauf.

whether you’re floating free to antipodean ambience or toasting the sunset with a baltic beauty, you can always count on growing bin to take you someplace new for a while. swapping bucolic poland for the buzz of the big apple, the hamburg imprint reaches a magnificent seven in the company of synth-pop dreamer shy layers (jd walsh to his mum) and his sublime self titled debut

ralf schmidt has always been a nomadic soul. a spirit that reflects into his expansive take on house music. yet, his first installment for hivern might be his most diverse work to date. four tracks with traces of techno, house, electro and even trance that showcase aeras vivid vision and pristine production skills.

presenting the new ssaliva release on ekster: we never happened. 180g vinyl packed in a pantone printed outer sleeve with drawing by charles-henry sommelette. comes with printed inner-sleeves and silk screened plastic oversleeve. i am a vessel. a muffled mass. a bulk. extent. a womb. i move. so i am neither here nor there. always somewhere in between. to give substance to this frame, i carve out a piece of me. sometimes a shape, sometimes a form. into this space i pour the siege of me: words, pictures, you. so we can become me. viscosity and temperature dictate the time it takes. when it is done, i break the mold i am. i take the cast inside and place it by the others. choose one and take it home.

come with us to a place of solitude where silent winds and barren landscapes have captured the hearts of many admirers but reject their controlling touch. a rejection of life, of death, and everything in between. this place is everything, it is the soul, but yet it is the nothing. a piece of that place has been brought to you once again. to some it will be an adventure but to others it will remind them of the journey taken so long ago to a place where rules did exist, no labels would fit, and no love could be found. frozen and empty but still the soul thrives. we call this place antarctica. where the soul thrives, and only the nothing lives here.

its june 2003, and the power trio of tony, halo & hipp-e have formed a supergroup under the guise the 6400 crew to unleash a 12-inch that would take the summer by storm. dubb me some tin fresh- quickly garnered support from the upper echelons of the dj community for its unrelenting groove and its unabashed tribute to the music of producers like lee scratch perry and king tubby. fast forward 13 years, and this single further cements itself in the history of yoshitoshi with a classic remix pack.

what is this? this is a floor-friendly house record with three cuts by dj central. if you’re reading this, we feel it’s safe to assume that you buy records. so yes, you can own this and bring it home to keep if you like. all you need to do is pick it up and spend that hard-earned money of yours. why are we doing this? because running a label is about releasing music and we felt like this was worth sharing with you. no pressure though - don’t panic - take your time to decide. so whether you feel this three-tracker has found a new home or not, thanks for considering expanding your collection with a help record.

undefined 005 is made by the legendary s-max. labelhead (together with fym) of the famous freaked and forward electronic musiclabel boogizm started back in 2000. we are more than honored to present him on undefined!
this ep will take you on a freakshow of yorkshire bleeps, wonky basslines and 4/4 approach on house/minimal/broken beats. the tracktitles are as ingenious as the tracks itself.
don’t sleep on this future classic!

creme organization s jericho one label continues to set a fine agenda with its fifth ep, this time from dj plant texture aka dona basile, who also releases as dona and given. this is only his second ep under this alias, and is one that again marries breakbeats, techno and electro into electrifying new forms. things kick off with maybe sometimes , three minutes of brutal old school rave. maybe sometimes (2_3 psymono mix) is then a heavily filtered and stripped back version of the same tune that is brilliantly weird and otherworldly. lello from sda then picks up the pace once more with reversed stabs, slamming drums and rubbery bass all cut up with yelping vocals and dusty breaks that take you right back to the early 90s. on the flip, gargantuans is on a deeper and more trippy old school flex with bright pads and gurgling bass taking you higher, then cyclone (tribute to the 90 s) is just that with its frenzied drums, filters and euphoric breakdowns all run through with street fighter samples. d_one then ends the trip with a bit of ambient electronics, with odd sine waves and sharp sound designs placing you in an unhinged world.

future sessions is proud to bring you a release from the owner and operator of finale sessions and one half member of the legendary balance recordings imprint with the legendary chez damier . so we will start you with the first track which is a remix of the classic track chez damier – never knew love with michael zuckers take on the track which gives it a real dancefloor driven sound with its funky guitar streams filled with filtered synth’s and perfect drum programming and then we get to the second track “wisdom and knowledge feat. maya angelou filled with her masterful poetry and michael zuckers pads and deeeeep bass and perfect drums gives it what it needs to flow streamingly then last but not least we have “jacobs ladder” with is smooths pads and it’s mesmorizing and hypnotic keys but the drums are the key to this track ..we want to thank you at future sessions for giving us the oppurtunity to do what we do and we thank you for the support.

barcelona based yakazi imprint proudly reaches its fifth installment in the form of a synergic collaborative release signed by chilean artists alexi delano and marcelo rosselot, counting also with canadian buchla wizard marc houle in the role of never-failing remixer. presented as a two sided release, and splitted in two original tracks plus marc houles remix, yakazi maintains its unwavering commitment to their core values, to move people through good music, prevailing fads and trends and strengthening the labels very own sonic identity. on this occasion, alexi delano, a close relative to the label that was also featured on label’s previous compilation, joins forces with his studio fellow marcelo rosselot building up “take me / it’s on me-, two finely-crafted excursions of heavy bass minimalism and dark vivacious techno based on subtle vocal samples, trippy synth-chords, and layered drum patterns constantly evolving throughout both progressions sounding uniformly fantastic, without falling into the obviousness of a long steady beat narrative and keeping in mind how to charm the dancefloor in style.

originally released in 1957, now back on picture vinyl.

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

labelbosses sbth return to their mothership and take over the steering wheel, capture the vibe from the previous releases and add a little munich touch. like giorgio mordoder would do a proper modern house track… a trippy journey!

aesthete obfuscation (computer club) computer club presents aesthete (aka thom barnett) with his debut release obfuscation. a 4 track ep of bass-heavy minimalism. micro-precise percussion bursting through minimal electronics with chattering industrial machines, the 4 tracks take an experimental approach directly to the dance floor. we first encountered the unique aesthete sound in a dark former ballroom in sheffield in early 2016 and were mesmerised by his sonic assault. as the name suggests, barnett s skill isn t confined to audio. a talented designer, he runs mamnick, an internationally renowned brand sold online and via outlets including a flagship store in tokyo. mamnick clothes and items blend sheffield craftsmanship with a love of cycling and a sharp aesthetic eye. everything barnett turns his attention to is expertly crafted and this debut ep on computer club is no exception.

it s been a quiet year for kai alce, but finally the atlanta house hero returns with a new pair of tracks that will surely satisfy any fans of his instinctive, expressive take on club-ready deep house. this latest drop comes on sounds of the city, which has also supported the likes of walt j and brian harden. -just wanna- is a sure and steady workout peppered with woozy chords and a nagging vocal lick, but -movin thru- is surely the record s stand-out moment. with just the right balance between the edgy chords and the rounded bassline, it s a simple cocktail that plays to alce s strengths perfectly.

erstmals auf 7” vinyl: zwei songs des legendären produzenten und drummers norman connors aus seinen alben “invitation” (1979) und “take it to the limit” (1980). mit vocals von adaritha (ada dyer) und al johnson.

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.

take a trawl through mushrooms projects’ ample back catalogue, and you’ll immediately be struck by their constant artistic progression. throughout their career, giorgio giri and marco lentano have refused to stand still, with each successive release offering a subtle signs of musical evolution.
they’re at it again on rivea corymbosa, a sophomore set that’s markedly different – albeit similarly minded – to their 2013 debut album, undergrass.

scorched, extended, brutal analogue acid jams from andrew red hand! absolute fire and brimstone production with live take bursts of insane drum action and bubbling, crusted acid lines.

pacific city sound visions take a walk into re-issue territory - a beautiful uncovering that fits neatly into this truly mind flixing catalogue... top tip!

italian label out-er celebrates its five years of existence with an incredibly diverse double 12” compilation involving new and old artists who perfectly represent the ample house and techno sounds the label has been spreading: juan atkins, orlando voorn, efdemin, terrence dixon, label owner simone gatto, civilian, the analogue cops, aubrey, haiku, irakli and regen.

>i take my guitar and strum and sing some tings and blow peoples mind. but i aint trying to do anybodys music. im doing what i feel< - shadow when it came out in 1984 the far-out album sweet sweet dreams by trinidad & tobagos shadow (aka winston bailey) was described as way ahead of its time. undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. now, more than three decades later that cosmic dance-floor ufo is about to take off again, change all that and set the record straight. remastered and cut by frank meritt at the carvery the album is truly a masterpiece.

local nyc boy eli escobar makes better than good on his debut release for rnt with a 4-tracker of secret heat from his personal arsenal! the ep bursts out of the gate with bullfight of love, blazes through the percussion heavy everybody, hits full stride with the reworked paradise garage staple the music, then lets us down nice and easy with seven eleven. pay your fare and take a ride on the nyc underground!

another debut producer joins the ranks of slow motion with a distinctive take on some classic sounds. armonics hails from bari, deep in the italian south and his first ep is at turns blissful, jacking and dare we say, playful. for a first ep, armonics has certainly nailed his musical colours to the mast. crossing with ease between disco, balearic and an indefinable x-factor.

repress 2016 , firecracker recordings drop the long awaited ep4! as usual, the packaging is of highest quality - a must for the collectors of the series. linkwood & house of traps take the a side with barely eagle. its a huge, slow moving disco hybrid thats already been played to death by trevor jackson, trusme and the unabombers! linkwood drops a killer edit on the b side and fudge fingas explore unknown space territory with his ra inspired situation diminished. three killer tracks on ltd 10inch vinyl press! do not sleep on this!